Personal Statement
My research interests and practice fall within the areas of urban cultural studies, the mediation of cultural memory, and spatial anthropology/spatial humanities. With a background in anthropology and cultural studies my work explores the intersection between space, place, mobility and cultures of everyday life.

I am the author of Posthuman Buddhism and the Digital Self: the Production of Dwellspace (Routledge, 2023), Spatial Anthropology: Excursions in Liminal Space (Rowman & Littlefield, 2018), and Film, Mobility and Urban Space: a Cinematic Geography of Liverpool (Liverpool University Press, 2012). I have edited/co-edited many books and special issue journal editions, including The Phenomenology of Travel and Tourism (2024-25), Spatial Bricolage (2018), Deep Mapping (2016), Mapping Cultures (2015/2012), Locating the Moving Image (2014), Sites of Popular Music Heritage (2014), Liminal Landscapes (2012), The City and the Moving Image (2010).

Current work-in-progress includes a new monograph titled Poetic-inductive Interventions: Essays in Space, Movement and Imagination and a co-edited collection (with Alyssa Grossman), Post-Pandemic Imaginaries: Space, Culture and Memory After Lockdown (Bloomsbury, 2026).

Research Overview
My research interests are interdisciplinary in scope and fall broadly into the following overlapping areas: 1) Spatial anthropology and urban cultural studies; 2) Memory-work and everyday cultures; 3) Liminality and the poetics of movement. I welcome enquiries about collaboration and doctoral supervision relating to any of these research areas.